From thousands of shapes that exist in the universe, the artist chooses the few, which he identifies with, and through them, creates his personal vision on the world. The reason behind that choice is always complicated, often involving historical, emotional, expressional, conceptual or social factors etc., that interrelated so that the artist can select his own formal vocabulary.

I try somehow to respond to an unjust, unbalanced and chaotic world with a piece of work, the main obsession of which is order, balance and compositional arrangement, together with a subtle and varied relationship between all its parts, i.e. form, texture and colour.

To do so, I use that I call "silent geometry", a geometry that does not involves play, or combination of typical forms of common geometrical problems, in any way. On the contrary, it involves a geometry loaded with expression, the end result of my own quest and particular vision of the world. So, in my work, I speak everything that hat influenced me ,different cultures, travel, landscape, specialty that of my native land. I also speak of architecture through which I have been able to combine my need with formal expression .

My work, although some pieces may not appear so at the first sight, is absolutely intuitive in its conception, then progresses through reflection until its final stage.