{"id":31858,"date":"2018-10-19T06:23:24","date_gmt":"2018-10-19T06:23:24","guid":{"rendered":"http:\/\/www.aic-iac.org\/?page_id=31858"},"modified":"2019-10-24T11:53:22","modified_gmt":"2019-10-24T11:53:22","slug":"agnes-husz","status":"publish","type":"page","link":"https:\/\/www.aic-iac.org\/en\/editorial\/agnes-husz\/","title":{"rendered":"Agnes Husz","raw":"Agnes Husz"},"content":{"rendered":"\n\n\n\n\n
\n
\"\"

Zsofia Karsai, “Sand Press I” (2005)<\/p><\/div>\n<\/td>\n<\/tr>\n

\n

“Beneath the Cherry Tree – Reflecting on Influences from Japan”<\/p>\n

ABSTRACT<\/p>\n

There is a Japanese word: mederu. It means “to look,” “just looking.”
\u00a0
When sitting in a Japanese garden simply looking, not seeing, you can feel the inner emptiness. The study of Far Eastern philosophies seems to be a means of attaining this inner calm.
\u00a0<\/p>\n<\/td>\n

\n

A brief introduction to Maria Geszler Garzuly, Zsofia Karsai, Julia Nema and Agnes Husz\u2019s exploration of the impact of traditional Japanese notions to their work, these are examples of Europeans being enveloped in what might be called the “New Orientalia”.<\/td>\n<\/tr>\n

\n

Click here to read Agnes Husz’s lecture<\/a>
Click here to view Agnes Husz’s presentation<\/a><\/p>\n<\/td>\n

\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false,"raw":"\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_31859\" align=\"aligncenter\" width=\"667\"]\"\" Zsofia Karsai, \"Sand Press I\" (2005)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
\r\n

\"Beneath the Cherry Tree - Reflecting on Influences from Japan\"<\/p>\r\n

ABSTRACT

There is a Japanese word: mederu. It means \"to look,\" \"just looking.\"
\u00a0
When sitting in a Japanese garden simply looking, not seeing, you can feel the inner emptiness. The study of Far Eastern philosophies seems to be a means of attaining this inner calm.
\u00a0<\/p>\r\n<\/td>\r\n



A brief introduction to Maria Geszler Garzuly, Zsofia Karsai, Julia Nema and Agnes Husz\u2019s exploration of the impact of traditional Japanese notions to their work, these are examples of Europeans being enveloped in what might be called the \"New Orientalia\".<\/td>\r\n<\/tr>\r\n
\r\n

Click here to read Agnes Husz's lecture<\/a>
Click here to view Agnes Husz's presentation<\/a><\/p>\r\n<\/td>\r\n

\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>"},"excerpt":{"rendered":"

“Beneath the Cherry Tree – Reflecting on Influences from Japan”<\/p>\n","protected":false,"raw":"\"Beneath the Cherry Tree - Reflecting on Influences from Japan\""},"author":1291,"featured_media":31859,"parent":31772,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_fr_post_content":"\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_31859\" align=\"aligncenter\" width=\"667\"]\"\" Zsofia Karsai, \"Sand Press I\" (2005)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
\r\n

\"Beneath the Cherry Tree - Reflecting on Influences from Japan\"<\/p>\r\n

ABSTRACT

There is a Japanese word: mederu. It means \"to look,\" \"just looking.\"
\u00a0
When sitting in a Japanese garden simply looking, not seeing, you can feel the inner emptiness. The study of Far Eastern philosophies seems to be a means of attaining this inner calm.
\u00a0<\/p>\r\n<\/td>\r\n



A brief introduction to Maria Geszler Garzuly, Zsofia Karsai, Julia Nema and Agnes Husz\u2019s exploration of the impact of traditional Japanese notions to their work, these are examples of Europeans being enveloped in what might be called the \"New Orientalia\".<\/td>\r\n<\/tr>\r\n
\r\n

Click here to read Agnes Husz's lecture<\/a>
Click here to view Agnes Husz's presentation<\/a><\/p>\r\n<\/td>\r\n

\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>","_fr_post_name":"agnes-husz","_fr_post_excerpt":"\"Beneath the Cherry Tree - Reflecting on Influences from Japan\"","_fr_post_title":"Agnes Husz","_en_post_content":"\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_31859\" align=\"aligncenter\" width=\"667\"]\"\" Zsofia Karsai, \"Sand Press I\" (2005)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
\r\n

\"Beneath the Cherry Tree - Reflecting on Influences from Japan\"<\/p>\r\n

ABSTRACT

There is a Japanese word: mederu. It means \"to look,\" \"just looking.\"
\u00a0
When sitting in a Japanese garden simply looking, not seeing, you can feel the inner emptiness. The study of Far Eastern philosophies seems to be a means of attaining this inner calm.
\u00a0<\/p>\r\n<\/td>\r\n



A brief introduction to Maria Geszler Garzuly, Zsofia Karsai, Julia Nema and Agnes Husz\u2019s exploration of the impact of traditional Japanese notions to their work, these are examples of Europeans being enveloped in what might be called the \"New Orientalia\".<\/td>\r\n<\/tr>\r\n
\r\n

Click here to read Agnes Husz's lecture<\/a>
Click here to view Agnes Husz's presentation<\/a><\/p>\r\n<\/td>\r\n

\u00a0<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

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