{"id":32045,"date":"2018-11-29T17:12:08","date_gmt":"2018-11-29T17:12:08","guid":{"rendered":"http:\/\/www.aic-iac.org\/?page_id=32045"},"modified":"2024-11-20T16:44:45","modified_gmt":"2024-11-20T16:44:45","slug":"","status":"publish","type":"page","link":"https:\/\/www.aic-iac.org\/es\/members\/prix-de-laic-exposition-thematique-des-membres-2018\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":1291,"featured_media":32167,"parent":8,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_fr_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_32163\" align=\"aligncenter\" width=\"1762\"]\"\" De d. \u00e0 g.: Madhvi Subrahmanian, Torbj\u00f8rn Kvasb\u00f8, Zhenhua Jin, Agnes Husz, Judith Schwartz and Jacques Kaufmann.[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
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L'Exposition th\u00e9matique des membres de l'AIC (2018) a eu lieu \u00e0 l'occasion du 48\u00e8me Congr\u00e8s de l'AIC \u00e0 New Taipei City et refl\u00e9tait le th\u00e8me du Congr\u00e8s: \"Nouvel Orientalia: Fonctionnalit\u00e9, Spiritualit\u00e9, Diversit\u00e9\".<\/p>\r\n

Afin de rendre hommage aux travaux des membres de l'Acad\u00e9mie, le Comit\u00e9 ex\u00e9cutif a cr\u00e9\u00e9 4 prix, qui ont \u00e9t\u00e9 remis lors d'une c\u00e9r\u00e9monie au Yingge Ceramics Museum \u00e0 New Taipei City, le 30 septembre 2018.

<\/p>\r\n<\/td>\r\n

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Le jury \u00e9tait compos\u00e9 de Jacques Kaufmann, Torbj\u00f8rn Kvasb\u00f8, Judith Schwartz et Madhvi Subrahmanian.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\u00a0<\/td>\r\n\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

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Prix - New Orientalia<\/span>

Ce prix a \u00e9t\u00e9 d\u00e9cern\u00e9 \u00e0 Agnes Husz pour son \u0153uvre intitul\u00e9e Ripples,<\/span>\u00a0<\/span>2018.

Agnes Husz est membre de l'AIC depuis 2013. De nationalit\u00e9 hongroise, elle vit au Japon depuis 1993.

<\/p>\r\n

\"The ritual is in this work. Enjoying the process of rolling the clay strips one by one without thinking, just letting myself be one with the work and being part of the Universe. The work is finished, but not complete. It develops further in accordance with the immediate surroundings and will always reveal something new. Fill it with water, may be nothing will happen. Mute. But if anything moves or someone passes by, the work is aroused and will answer with ripples.\"<\/span><\/p>\r\n<\/td>\r\n

\r\n[caption id=\"attachment_32164\" align=\"aligncenter\" width=\"1524\"]\"\" Ripples, 2018, 50\u00d749.5\u00d715 cm, Glazed ceramic, handbuilt, oil kiln,1260\u00b0C[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
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Prix Spiritualit\u00e9<\/span>

Ce prix a \u00e9t\u00e9 remis \u00e0 Shida Kuo pour son \u0153uvre Untitled N\u00b018-01<\/span>, 2017.

Shida Kuo est membre de l'AIC depuis 2003. Originaire de Taipei, il vit aux \u00c9tats-Unis.

<\/p>\r\n

\"I am curious about how people of different origins and backgrounds can respond to forms and materials in an identical way. Shared experiences of emotional and spiritual impacts created by forms and materials are articulated by our bodies even before they can be understood by our minds. I try to demonstrate this creative process through my work. I use primarily ceramic and wood for my works because human beings have used these two materials for thousands of years regardless of cultural or racial differences. They are so close to us in many ways and become the best material for me to convey my ideas.\"<\/span><\/p>\r\n<\/td>\r\n

\r\n[caption id=\"attachment_32165\" align=\"aligncenter\" width=\"1244\"]\"\" Untitled No. 18-01, 2018, 25\u00d720\u00d749 cm, Fired white clay and wood, Electric, low earthenware, burnish, 1027\u00b0C[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
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Prix Fonctionnalit\u00e9<\/span><\/p>\r\n

Ce prix a \u00e9t\u00e9 remis \u00e0 Jin Zhenhua pour son \u0153uvre intitul\u00e9e Orientation<\/span>, 2017.\u00a0

De nationalit\u00e9 chinoise, Jin Zhenhua est membre de l'AIC depuis 2013.<\/p>\r\n\"In this materialistic society, we encounter many choices of varying and uncontrollable orientation which intertwined with each other with or without order. Contacting with clay is the simplest and most heartfelt way of communication. I formed the curvature of the slab through my hand's contact with clay to convey an uncertain orientation. It is like a piece of paper being folded repeatedly in search of possibilities in extension of different orientations, toward unique, unbroken continuities. Meanwhile, no variation escapes this vessel.\"<\/span>

<\/td>\r\n

\r\n[caption id=\"attachment_32166\" align=\"aligncenter\" width=\"1246\"]\"\" Jin Zhenhua, 2017, 29\u00d727\u00d720 cm, Porcelain, hand pinched, gas kiln, 1310\u00b0C[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
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Prix Diversit\u00e9
<\/span><\/span>
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Ce prix a \u00e9t\u00e9 remis \u00e0 Nick Geankoplis\u00a0pour son \u0153uvre intitul\u00e9e Saccharin Series\u00a0| For as little as<\/span>, 2017.\u00a0

De nationalit\u00e9 am\u00e9ricaine, Nick Geankoplis est devenu membre de l'AIC en 2017.<\/p>\r\n

\"In this body of work entitled Saccharin, I have taken Chinese factory produced decals for industrially made ceramic tableware and collaged them with hobby craft decals from America and Europe on large porcelain tiles produced in Jingdezhen for traditional over glaze ceramic painting. The imagery is collaged on a seemingly viscus surface on top of bright vibrant plastic like colors. The scenes distort, bend and blend around the topography of the drips alluding to cultural hybridity and contemporary commercialization of heritage.\"<\/span><\/p>\r\n<\/td>\r\n

\r\n[caption id=\"attachment_32167\" align=\"aligncenter\" width=\"1172\"]\"\" Saccharin Series \u2502 For As Little As, 2017, 58\u00d758\u00d74 cm, Clay, glaze, image transfer, luster, gas reduction, electric oxidation[\/caption]\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>","_fr_post_name":"prix-de-laic-exposition-thematique-des-membres-2018","_fr_post_excerpt":"Pour honorer les travaux des Membres de l'Acad\u00e9mie, le comit\u00e9 ex\u00e9cutif de l'AIC a cr\u00e9\u00e9 4 prix","_fr_post_title":"Prix de l'AIC - Exposition th\u00e9matique des membres 2018","_en_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_32163\" align=\"aligncenter\" width=\"1762\"]\"\" From l. to r.: Madhvi Subrahmanian, Torbj\u00f8rn Kvasb\u00f8, Zhenhua Jin, Agnes Husz, Judith Schwartz and Jacques Kaufmann.[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
\r\n

The IAC Members' Thematic Exhibition (2018) was held on the occasion of the 48th Congress in New Taipei City and reflected the Congress general theme \"New Orientalia: Functionality, Spirituality, Diversity\".<\/p>\r\n

To honour the artworks of IAC members, the IAC Executive committee awarded 4 prizes during a ceremony that took place at the Yingge Ceramics Museum in New Taipei City, on 30 September 2018.<\/p>\r\n<\/td>\r\n

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The jury was composed of Jacques Kaufmann, Torbj\u00f8rn Kvasb\u00f8, Judith Schwartz and Madhvi Subrahmanian.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\u00a0<\/td>\r\n\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

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New Orientalia Award<\/span><\/p>\r\n

This prize was awarded to Agnes Husz for her piece titled Ripples<\/span>, 2018.

Agnes Husz has been a member of the IAC since 2013. She hails from Hungary but has been living in Japan since 1993.<\/p>\r\n

\"The ritual is in this work. Enjoying the process of rolling the clay strips one by one without thinking, just letting myself be one with the work and being part of the Universe. The work is finished, but not complete. It develops further in accordance with the immediate surroundings and will always reveal something new. Fill it with water, maybe nothing will happen. Mute. But if anything moves or someone passes by, the work is aroused and will answer with ripples.\"<\/span><\/p>\r\n<\/td>\r\n

\r\n[caption id=\"attachment_32164\" align=\"aligncenter\" width=\"1524\"]\"\" Ripples, 2018, 50\u00d749.5\u00d715 cm, Glazed ceramic, handbuilt, oil kiln,1260\u00b0C[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
<\/td>\r\n<\/tr>\r\n
\r\n

Spirituality Award<\/span><\/p>\r\n

This prize was awarded to Shida Kuo for his piece titled Untitled N\u00b018-01 ,<\/span><\/span>2017.

Shida Kuo has been a member of the IAC since 2003. Hailing from Taipei, he lives in the United States.<\/p>\r\n

\"I am curious about how people of different origins and backgrounds can respond to forms and materials in an identical way. Shared experiences of emotional and spiritual impacts created by forms and materials are articulated by our bodies even before they can be understood by our minds. I try to demonstrate this creative process through my work. I use primarily ceramic and wood for my works because human beings have used these two materials for thousands of years regardless of cultural or racial differences. They are so close to us in many ways and become the best material for me to convey my ideas.\"<\/span><\/p>\r\n<\/td>\r\n

\r\n[caption id=\"attachment_32165\" align=\"aligncenter\" width=\"1244\"]\"\" Untitled No. 18-01, 2018, 25\u00d720\u00d749 cm, Fired white clay and wood, Electric, low earthenware, burnish, 1027\u00b0C[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
<\/td>\r\n<\/tr>\r\n
\r\n

Functionality Award<\/span><\/p>\r\n

This prize went to Jin Zhenhua for her pice titled Orientation<\/span>, 2017.\u00a0

Hailing from China, Jin Zhenhua has been a member of the Academy since 2013.<\/p>\r\n

\"In this materialistic society, we encounter many choices of varying and uncontrollable orientation which intertwine with each other with or without order. Contact with clay is the simplest and most heartfelt way of communication. I formed the curvature of the slab through my hand's contact with clay to convey an uncertain orientation. It is like a piece of paper being folded repeatedly in search of possibilities, in extension of different orientations, toward unique, unbroken continuities. Meanwhile, no variation escapes this vessel.\"<\/span><\/p>\r\n<\/td>\r\n

\r\n[caption id=\"attachment_32166\" align=\"aligncenter\" width=\"1246\"]\"\" Jin Zhenhua, 2017, 29\u00d727\u00d720 cm, Porcelain, hand pinched, gas kiln, 1310\u00b0C[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
<\/td>\r\n<\/tr>\r\n
\r\n

Diversity Award<\/span><\/p>\r\n

This prize went to Nicholas Geankoplis for his piece titled Saccharin Series\u00a0| For as little as<\/span>, 2017.\u00a0

An American citizen, Nick Geankoplis became member of the Academy in 2017.<\/p>\r\n

\"In this body of work entitled Saccharin, I have taken Chinese factory produced decals for industrially made ceramic tableware and collaged them with hobby craft decals from America and Europe on large porcelain tiles produced in Jingdezhen for traditional over glaze ceramic painting. The imagery is collaged on a seemingly viscus surface on top of bright vibrant plastic like colors. The scenes distort, bend and blend around the topography of the drips alluding to cultural hybridity and contemporary commercialization of heritage.\"<\/span><\/p>\r\n<\/td>\r\n

\r\n[caption id=\"attachment_32167\" align=\"aligncenter\" width=\"1172\"]\"\" Saccharin Series \u2502 For As Little As, 2017, 58\u00d758\u00d74 cm, Clay, glaze, image transfer, luster, gas reduction, electric oxidation[\/caption]\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>","_en_post_name":"prix-de-laic-exposition-thematique-des-membres-2018","_en_post_excerpt":"To honour the Academy members' works, the IAC Executive committee awarded 4 prizes.","_en_post_title":"IAC Awards - Themed Members Exhibition 2018","_ja_post_content":"","_ja_post_name":"","_ja_post_excerpt":"","_ja_post_title":"","_zh_post_content":"","_zh_post_name":"","_zh_post_excerpt":"","_zh_post_title":"","_es_post_content":"","_es_post_name":"","_es_post_excerpt":"","_es_post_title":"","edit_language":"es"},"class_list":["post-32045","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/pages\/32045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/users\/1291"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/comments?post=32045"}],"version-history":[{"count":33,"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/pages\/32045\/revisions"}],"predecessor-version":[{"id":75724,"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/pages\/32045\/revisions\/75724"}],"up":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/pages\/8"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/media\/32167"}],"wp:attachment":[{"href":"https:\/\/www.aic-iac.org\/es\/wp-json\/wp\/v2\/media?parent=32045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}