{"id":55955,"date":"2021-07-28T21:45:05","date_gmt":"2021-07-28T21:45:05","guid":{"rendered":"https:\/\/www.aic-iac.org\/?page_id=55955"},"modified":"2025-03-03T15:28:13","modified_gmt":"2025-03-03T15:28:13","slug":"treasure-bowl-collection-2","status":"publish","type":"page","link":"https:\/\/www.aic-iac.org\/ja\/activite\/treasure-bowl-collection-2\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":4,"featured_media":56242,"parent":17378,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_fr_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

\"TBC<\/p>\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

<\/td>\r\n<\/tr>\r\n
\r\n

20 mondes. IAC Treasure Bowl Collections I-II<\/h3>\r\n

21.05.2022 - 08.01.2023
au centre c\u00e9ramique Keramis, La Louvi\u00e8re, Belgique<\/p>\r\n> Site web de Keramis<\/a><\/span><\/td>\r\n

\r\n

 <\/p>\r\n

 <\/p>\r\n

Keramis pr\u00e9sente pour la premi\u00e8re fois rassembl\u00e9s les 20 bols constituant les deux \u00e9ditions de la Treasure Bowl Collection, initi\u00e9e par l\u2019AIC, dans l'exposition \"20 mondes\"<\/a><\/span>.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\"\"<\/td>\r\n<\/tr>\r\n
<\/td>\r\n<\/tr>\r\n
\r\n

Le bol, la brique et la figure sont les trois arch\u00e9types de la c\u00e9ramique [1] au m\u00eame titre que (se) nourrir, (se) prot\u00e9ger, perp\u00e9tuer son esp\u00e8ce, se repr\u00e9senter ou repr\u00e9senter le monde comptent parmi les actions fondatrices de l\u2019activit\u00e9 humaine.<\/h3>\r\n

 <\/p>\r\n

Le Conseil de l'Acad\u00e9mie Internationale de la C\u00e9ramique a le grand plaisir de vous amener la seconde \u00e9dition du \u00ab Treasure Bowl Collection \u00bb, pr\u00e9sent\u00e9e sous son titre \u00ab Appropriation \u00bb <\/em>par notre commissaire Ludovic Recchia<\/em>.<\/p>\r\n

Le bol est un objet que l\u2019on porte \u00e0 nos l\u00e8vres et tout ce qui peut l\u2019\u00eatre aujourd\u2019hui, en regard du contexte mondial, nous appara\u00eet plus pr\u00e9cieux que par le pass\u00e9. La Treasure Bowl Collection 2 a \u00e9t\u00e9 lanc\u00e9e au moment o\u00f9 la crise du Covid s\u2019abattait sur le monde en le couvrant d\u2019un voile d\u2019inqui\u00e9tude. D\u00e8s lors, le th\u00e8me de l\u2019appropriation propos\u00e9 \u00e0 la fin de l\u2019ann\u00e9e 2019 nous appara\u00eet en 2021 sous un jour nouveau.<\/p>\r\n

La collection AIC \u00ab\u00a0Treasure Bowl\u00a0\u00bb honore \u00e0 la fois les possibilit\u00e9s fonctionnelles et artistiques du bol, qui unissent la po\u00e9sie et la pratique dans la c\u00e9l\u00e9bration d\u2019un lien partag\u00e9 de l'humanit\u00e9, au-del\u00e0 des fronti\u00e8res culturelles et g\u00e9ographiques.<\/p>\r\n[1] Nous nous permettons d\u2019introduire ce texte avec cette expression ch\u00e8re \u00e0 Jacques Kaufmann.\u00a0<\/span><\/td>\r\n

\r\n

N\u00e9 lors d'une session de r\u00e9flexion du Conseil de l'AIC en septembre 2015, le concept d\u2019une \u00e9dition sp\u00e9ciale de l'AIC, organis\u00e9e et produite par les membres de l'AIC, est devenu public avec sa premi\u00e8re \u00e9dition en 2017-8. Un grand merci \u00e0 la premi\u00e8re commissaire, Rheem Misun (Cor\u00e9e) et \u00e0 tous les artistes de la premi\u00e8re \u00e9dition, qui ont contribu\u00e9 avec enthousiasme \u00e0 \u00e9clairer le th\u00e8me \u00ab Terre native \u00bb par la diversit\u00e9 de leur style, permettant ainsi de d\u00e9marrer la s\u00e9rie. Les artistes repr\u00e9sent\u00e9s dans la premi\u00e8re \u00e9dition sont issus de cultures diverses et ont chacun fait entendre leur voix artistique \u00e0 l'\u00e9chelle internationale. Ils repr\u00e9sentent leur pays autant qu\u2019ils embrassent un esprit universel de g\u00e9n\u00e9rosit\u00e9 envers les autres, symbolis\u00e9 par la nature de donner et de recevoir du bol.<\/p>\r\n

Il en a \u00e9t\u00e9 de m\u00eame pour la seconde \u00e9dition, qui a propos\u00e9 aux artistes s\u00e9lectionn\u00e9s de travailler en partant de quelques r\u00e9f\u00e9rences d'\u0153uvres d'art s\u00e9lectionn\u00e9es dans la Collection dont il est responsable en Belgique, au Mus\u00e9e de Mariemont. Pour citer Ludovic Recchia dans sa premi\u00e8re pr\u00e9sentation du th\u00e8me : \u00ab Avec l'emprunt et la citation, l'appropriation est un m\u00e9canisme courant dans l'art postmoderne. L'appropriation peut \u00eatre tant\u00f4t un acte de contestation de valeurs \u00e9tablies, tant\u00f4t un hommage au pass\u00e9 et \u00e0 ses traditions\u2026 \u00bb<\/p>\r\n

Pour tout renseignement compl\u00e9mentaire, veuillez contacter le Secr\u00e9tariat de l\u2019AIC, par email ou par t\u00e9l\u00e9phone : info@aic-iac.org\/ +41 22 418 54 76.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

\u00a0<\/h3>\r\n<\/td>\r\n

\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

Les oeuvres de cette seconde \u00e9dition ont \u00e9t\u00e9 r\u00e9alis\u00e9es par :<\/h3>\r\n

 <\/p>\r\n

    \r\n
  • Yo Akiyama (Japon)<\/li>\r\n
  • Andile Dyalvane (Afrique du Sud)<\/li>\r\n
  • Ken Eastman (Royaume-Uni)<\/li>\r\n
  • Wayne Fischer (Etats-Unis)<\/li>\r\n
  • Steven Heinemann (Canada)<\/li>\r\n
  • Guillermo Jorge Ma\u00f1\u00e9 (Argentine)<\/li>\r\n
  • Nathalie Lautenbacher (Finlande)<\/li>\r\n
  • Bai Ming (Chine)<\/li>\r\n
  • Monika Patuszynska (Pologne)<\/li>\r\n
  • Jo Wonjae (R\u00e9publique de Cor\u00e9e)<\/li>\r\n<\/ul>\r\n

     <\/p>\r\n<\/td>\r\n

\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

L'ex\u00e9cutif de l'AIC tient \u00e0 remercier tous les artistes, qui m\u00e9ritent notre plus profonde gratitude pour l'excellence de leur travail : Yo Akiyama - Japon, Andile Dyalvane - Afrique du Sud, Ken Eastman - Royaume-Uni, Wayne Fischer - France\/USA, Steven Heineman - Canada, Guillermo Jorge Ma\u00f1\u00e9 - Argentine, Nathalie Lautenbacher - Finlande, Bai Ming - Chine, Monika Patuszynska - Pologne, et Jo Wonjae - Cor\u00e9e du Sud.<\/p>\r\n

Nos remerciements les plus sinc\u00e8res vont au commissaire de cette deuxi\u00e8me \u00e9dition, Ludovic Recchia, qui a su donner forme avec gr\u00e2ce aux valeurs de l'Acad\u00e9mie Internationale de C\u00e9ramique.<\/p>\r\n

Nous adressons \u00e9galement nos sinc\u00e8res remerciements au secr\u00e9tariat de l'AIC, qui a assur\u00e9 le bon d\u00e9roulement du projet en coordonnant toute la logistique au cours de l'ann\u00e9e \u00e9coul\u00e9e.

<\/p>\r\n<\/td>\r\n

\r\n

Enfin, l'AIC souhaite exprimer sa gratitude aux m\u00e9c\u00e8nes et aux institutions qui ont soutenu dans le pass\u00e9 et, nous l'esp\u00e9rons, soutiendront \u00e0 l'avenir le d\u00e9veloppement de ce projet, d\u00e9montrant ainsi leur confiance en l'AIC.<\/p>\r\n

Si la premi\u00e8re \u00e9dition de la Treasure Bowl Collection repr\u00e9sentait la gen\u00e8se r\u00e9ussie du projet, la deuxi\u00e8me \u00e9dition t\u00e9moigne d'une forte volont\u00e9 de poursuivre. Esp\u00e9rons que lorsque l'AIC en sera \u00e0 sa troisi\u00e8me \u00e9dition, la Treasure Bowl Collection sera appr\u00e9ci\u00e9e comme un projet \u00e0 long terme !<\/p>\r\n

Cr\u00e9dits photo: Guillaume Mausset<\/span><\/td>\r\n<\/tr>\r\n
\r\n

 <\/p>\r\n<\/td>\r\n

\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

 <\/p>\r\n<\/td>\r\n

\r\n

POUR T\u00c9L\u00c9CHARGER LE CATALOGUE :\u00a0
Tous droits de reproduction du contenu du catalogue TBC sont r\u00e9serv\u00e9s \u00e0 l'AIC.\u00a0<\/p>\r\n

>> Cliquez sur ce lien<\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>","_fr_post_name":"treasure-bowl-collection-2","_fr_post_excerpt":"La seconde \u00e9dition de la Treasure Bowl Collection peut maintenant \u00eatre appr\u00e9ci\u00e9e en ligne.","_fr_post_title":"Treasure Bowl Collection 2","_en_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

\"TBC<\/p>\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

<\/td>\r\n<\/tr>\r\n
\r\n

20 mondes. IAC Treasure Bowl Collections I-II<\/h3>\r\n

21.05.2022 - 08.01.2023
at the Keramis Ceramic Centre, La Louvi\u00e8re, Belgium<\/p>\r\n> Keramis website<\/a><\/span><\/td>\r\n

\u00a0\r\n

 <\/p>\r\n

Keramis presents for the first time the 20 bowls constituting the 2 editions of the Treasure Bowl Collection, initiated by the IAC, in the exhibition \"20 mondes\"<\/a><\/span>.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\"\"<\/td>\r\n<\/tr>\r\n
<\/td>\r\n<\/tr>\r\n
\r\n

The bowl, the brick and the figure are the three archetypes of ceramics [1] in the same way that feeding, self-defense, perpetuating the species, self-representation and the representation of the world around us are among the founding characteristics of human activity.<\/h3>\r\n

 <\/p>\r\n

The Council of the International Academy of Ceramics has the great pleasure to bring you the second edition of the \"Treasure Bowl Collection\", presented under its title \"Appropriation<\/em>\" by our curator Ludovic Recchia<\/em>.<\/p>\r\n

The bowl is an object we can put to our lips and, in view of the current global context, anything of that nature seems more precious than ever before. The launch of the Treasure Bowl Collection 2 coincided with the emergence of the Covid crisis, which descended on the world, covering it with a veil of anxiety. The theme of appropriation proposed at the end of 2019 appears in a new light now in 2021.\u00a0<\/p>\r\n

The IAC Treasure Bowl Collection simultaneously honours the functional and artistic possibilities of the bowl, which unite poetry and praxis in a celebration of humanity\u2019s shared bond beyond cultural and geographical borders.<\/p>\r\n[1] We take the liberty of introducing this text with this expression dear to Jacques Kaufmann.\u00a0<\/span><\/td>\r\n

\r\n

Born out of a brainstorming session of the IAC Council in September 2015, the concept of a special IAC edition of works, curated and produced by IAC members, resulted in the public launch of its first edition in 2017-8. We extend our sincere gratitude to the first edition\u2019s curator, Misun Rheem (Korea) and to all the artists who enthusiastically contributed to enlightening the theme \u201cNative Clay\u201d through the diversity of their styles, thus beginning the series. The artists represented in the first collection come from diverse cultures and individually have made their artistic voices heard internationally. They represent their countries as well as embrace a universal spirit of generosity toward others, symbolised by the bowl\u2019s act of giving and receiving.<\/p>\r\n

The very same can be said for the second edition, which proposed that the selected artists begin by referencing selected pieces of art in the collection of Belgium\u2019s Mariemont Museum, of which Ludovic Recchia is head curator. To quote Ludovic Recchia in his first presentation of the theme: \u201cAlong with borrowing and quoting, appropriation is a common mechanism in post-modern art. Appropriation can sometimes be an act of contesting established values, sometimes a tribute to the past and its traditions\u2026\u201d

Please contact the IAC Secretariat for further details, by email or by phone:
info@aic-iac.org
\/ +41 22\u00a0418 54 76.<\/p>\r\n<\/td>\r\n<\/tr>\r\n

\u00a0<\/td>\r\n\u00a0<\/td>\r\n<\/tr>\r\n
\r\n

The artwork in this second edition were made by:<\/h3>\r\n
    \r\n
  • Yo Akiyama (Japan)<\/li>\r\n
  • Andile Dyalvane (South Africa)<\/li>\r\n
  • Ken Eastman (United Kingdom)<\/li>\r\n
  • Wayne Fischer (United States)<\/li>\r\n
  • Steven Heinemann (Canada)<\/li>\r\n
  • Guillermo Jorge Ma\u00f1\u00e9 (Argentina)<\/li>\r\n
  • Nathalie Lautenbacher (Finland)<\/li>\r\n
  • Bai Ming (China)<\/li>\r\n
  • Monika Patuszynska (Poland)<\/li>\r\n
  • Jo Wonjae (Republic of Korea)<\/li>\r\n<\/ul>\r\n

     <\/p>\r\n<\/td>\r\n

\u00a0<\/td>\r\n<\/tr>\r\n
\r\n

The IAC Executive would like to thank all the artists, who deserve our deepest gratitude for the excellence of their work: Yo Akiyama - Japan, Andile Dyalvane - South-Africa, Ken Eastman \u2013 UK, Wayne Fischer \u2013 France\/USA, Steven Heineman \u2013 Canada, Guillermo Jorge Ma\u00f1\u00e9 \u2013 Argentina, Nathalie Lautenbacher \u2013 Finland, Bai Ming \u2013 China, Monika Patuszynska \u2013 Poland, and Jo Wonjae - South Korea.<\/p>\r\n

Our heartfelt thanks go to the curator of this second edition, Ludovic Recchia, who gracefully gave shape to the values of the International Academy of Ceramics.<\/p>\r\n

We also express our sincere thanks to the IAC secretariat, who ensured a smooth development of the project through coordination of all the logistics over the past year.<\/p>\r\n<\/td>\r\n

\r\n

Last, but not least, the IAC wishes to extend its gratitude to the Patrons and Institutions, which supported in the past and hopefully will support in the future the development of this project, demonstrating their trust in the IAC.<\/p>\r\n

If the Treasure Bowl Collection N\u00b01 represented the successful birth of the project, the second edition indicates a strong will to continue. Let\u2019s wish that when the IAC will be in its third edition, the Treasure Bowl Collection will be appreciated as a project to last on the long term!<\/p>\r\n

Photographic credit: Guillaume Mausset<\/span><\/td>\r\n<\/tr>\r\n
\r\n

 <\/p>\r\n

 <\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

 <\/p>\r\n<\/td>\r\n

\r\n

DOWNLOAD THE TBC CATALOGUE:
The content of this catalogue are protected by IAC copyright.\u00a0<\/p>\r\n

>> Catalogue in pdf format<\/a><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

 <\/p>","_en_post_name":"treasure-bowl-collection-2","_en_post_excerpt":"The second Treasure Bowl Collection can now be viewed online.","_en_post_title":"Treasure Bowl Collection 2","_ja_post_content":"","_ja_post_name":"treasure-bowl-collection-2","_ja_post_excerpt":"","_ja_post_title":"","_zh_post_content":"","_zh_post_name":"treasure-bowl-collection-2","_zh_post_excerpt":"","_zh_post_title":"","_es_post_content":"","_es_post_name":"treasure-bowl-collection-2","_es_post_excerpt":"","_es_post_title":"","edit_language":"ja"},"class_list":["post-55955","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/pages\/55955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/comments?post=55955"}],"version-history":[{"count":58,"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/pages\/55955\/revisions"}],"predecessor-version":[{"id":61193,"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/pages\/55955\/revisions\/61193"}],"up":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/pages\/17378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/media\/56242"}],"wp:attachment":[{"href":"https:\/\/www.aic-iac.org\/ja\/wp-json\/wp\/v2\/media?parent=55955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}