Edna Oliver’s practice focuses on abstract ceramic sculptures that explore the relationship between form, movement, and sound through physical interaction.
Oliver has developed an innovative working method that utilizes clay’s shrinkage during firing to create joint-like connections between interlocking parts. These connections enable movement and produce sound, resulting in sculptural objects that encourage tactile and auditory engagement. Her technique reflects both innovation and material sensitivity, with the potential to make a meaningful contribution to contemporary ceramic practice.
Her sculptural forms combine biomorphic and geometric elements and vary in complexity. Using various types of joints, they offer a wide range of motion that produces distinct movements and unique sounds. She tends to steer away from overly defined imagery, allowing each work to be interpreted differently, shaped by the observer’s perspective. The interactive nature of the work encourages physical and playful engagement. These qualities shape Oliver’s distinctive sculptural language, which continues to evolve through experimentation and discovery.
Oliver’s process integrates analytical thinking with intuitive exploration. The final form, movement, and sound of each piece are revealed only after firing, allowing space for surprise and insight within the making process itself.