Visual memory as well as remembrance of smell or tactical experience, may recall many things once we meet something similar to the previous experience. I think the complete process is connected with a creative memory over all. The way we want to remember and present the history the way we want to be seen and perceived now at this moment the imaginary image of us in the near and far future. There are no borders between the time frames, there is straight connection and a straight influence, one would not exist without the others. I think that this „theory“ this feeling of viscous consistence is applicable at the personal and collective memory as well. Again there are no borders no clear terminology especially in the areas with complicated history, there is just fragmentary memory of the future of me of you of us.
EUROPEAN CERAMIC CONTEXT 2018 – PAGE 60
MINO, JAPAN, THE 11TH INTERNATIONAL CERAMICS COMPETITION 2017 – PAGE 102
TAIWAN CERAMICS BIENNALE 2016 – PAGE 155