I work primarily with porcelain, exploring form as a space of inner listening, memory, and perception. Porcelain allows me to work at the edge of fragility and precision, where silence becomes tactile and form holds tension.
My background in ceramic art, graphic art, and stage design informs my sensitivity to space, rhythm, and material presence. I approach form not as a static object, but as a materialized moment of attention.
Sound and silence are central to my practice — not as illustration, but as experience. I work intuitively, responding to musical impulses through fragmentation, deformation, and balance. My recent works are shaped by reflections on sound architecture and inner hearing, particularly in dialogue with the music of György Ligeti, where sound becomes spatial, physical, and perceptual. The resulting objects are quiet and restrained, tracing how material can speak without words and how form can hold what has never sounded aloud.